I've been told that Quincy Jones and Bruce Swedien absolutely loved it, which is why it was used for Michael Jackson's voice on the Dangerous album, and on several other Quincy-productions. Chaka Khan, Manhattan Transfer, Michael McDonald and several others also used it, and I read somewhere that Tori Amos used to bring her own VIP-50 to the studio when recording.
The VIP - as we call it - is still in wide use in studios around the world, and for good reasons.
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